The memorials by Thomas Hirschhorn are outstanding examples from the world of fine arts: The memorial (Hirschhorn, Gramsci Monument, 2013) is reinterpreted in Hirschhorn‘s work as a heterotopian space in which practices of gathering, learning, relating and remembering are hosted, triggered and performed. Another example is Banksy’s Dismaland (Banksy, Dismaland, 2015), a dark version of Disneyland set against the background of migration and European crisis. Dismaland also reminds us that the fairground and the circus have always been heterotopian experiences and at the same time shows us how Banksy turns the amusement park into an artistic format.